February 17, 2012
Piccadilly Basin #manchester (Taken with instagram)

Piccadilly Basin #manchester (Taken with instagram)

12:47am  |   URL: http://tmblr.co/ZfbsZyGXJt99
Filed under: manchester 
March 29, 2011




TLR shot from the “First Corset Shoot”.

TLR shot from the “First Corset Shoot”.

March 25, 2011
Setlist 2011-03-25: ArA

My second set of the night:

  • Head Like a Hole — Nine Inch Nails
  • Du Hast — Rammstein
  • Heaven’s a Lie — Lacuna Coil
  • Blood of Another — Paradise Lost
  • Red Water — Type O-Negative
  • Going Under — Evanescence
  • Rock is Dead — Marilyn Manson
  • Call the Ships to Port — Covenant
  • Beloved — VNV Nation (Grey Dawn remix)
  • Unicorn — Apoptygma Berzerk (T.O.Y. remix)
  • Access and Amplify — Icon of Coil
  • Disappoint — Assemblage 23
  • Friends Like These — Mesh

March 25, 2011

March 25, 2011




I had some time to kill while waiting to meet Cat for dinner. I headed to Albert Square to shoot some images.

I had some time to kill while waiting to meet Cat for dinner. I headed to Albert Square to shoot some images.

March 18, 2011




Using my strange “free” lenses to shoot Manchester.

Using my strange “free” lenses to shoot Manchester.

February 25, 2011




A chance for me to practice random portraits and have a blast at a nightclub.

A chance for me to practice random portraits and have a blast at a nightclub.

February 25, 2011




Laura’s first corset. A photo-shoot for self-esteem and fun.


After the shoot, Laura said that she was “paying for it now, but worth every second of it” — mission accomplished, and I’m really pleased with the results.

Laura’s first corset. A photo-shoot for self-esteem and fun.

After the shoot, Laura said that she was “paying for it now, but worth every second of it” — mission accomplished, and I’m really pleased with the results.

February 1, 2011




Market Street, Manchester. 1960s lens, expired film.

Market Street, Manchester. 1960s lens, expired film.

January 29, 2011




Straight out of camera, no crops, no manipulations.


1/125 at ISO640 with 600mm f/8 Sigma mirror lens and 2x Sigma EX teleconverter.


Giottos tripod, Manfrotto head, wireless shutter release.


2x YN-560 (full power, sync-connected radio trigger)
1x 580exII (full power, Canon wireless trigger)
1x 430exII (full power. Canon wireless trigger)
1x 7D on-camera flash (1/4 power)

Straight out of camera, no crops, no manipulations.

1/125 at ISO640 with 600mm f/8 Sigma mirror lens and 2x Sigma EX teleconverter.

Giottos tripod, Manfrotto head, wireless shutter release.

2x YN-560 (full power, sync-connected radio trigger)
1x 580exII (full power, Canon wireless trigger)
1x 430exII (full power. Canon wireless trigger)
1x 7D on-camera flash (1/4 power)

January 24, 2011




Lens from late-1800s
Camera from 1997
Film from 2003
Scanner from 2005
Exposure in 2011


The negative is actually of fairly high quality, but the scanner does it no justice as it is not a proper negative scanner. Still, the concept works and the expired film is usable.

Lens from late-1800s
Camera from 1997
Film from 2003
Scanner from 2005
Exposure in 2011

The negative is actually of fairly high quality, but the scanner does it no justice as it is not a proper negative scanner. Still, the concept works and the expired film is usable.

January 14, 2011

January 6, 2011
Reviewing my Photography in 2010: Landscape and Cityscape

I’ve always enjoyed landscape and cityscape photography. Buildings and architecture, mountains and seas: none of them move! The photographer has complete free-rein to bring the subject to life through lighting, composition and so forth. This also means the photographer has nobody to blame but themselves.

I feel that in 2010 I have probably reached a plateau with my landscape photography, though my architectural shots have improved (especially on my weekend in Edinburgh). In 2011 I shall have to invest in a landscape course to improve.

Jan 4
Composed strictly with the rule of thirds. I’ll learn that rules are made to be broken.
Sometimes it doesn’t matter that you don’t have the best camera with you at the time. Feb 11
Feb 14
Dark gloom can set the tone for an industrial city-scape.
Again, not the best camera I own, but the lighting was still dramatic. Apr 2
Sep 3
Vanishing points and repetition can make for interesting city photographs.
Not all “white” lights are created equal. Be mindful of white balance: it might create an interesting artistic opportunity. Sep 5
Sep 6
I’ve been wanting to apply this kind of effect for a while. Gotcha!
Once again, repetition and vanishing points. Sep 6
Sep 11
I’ve got the rule of thirds going on here again, but with a little more drama added to the image in post-processing.
Using tone-mapping in my landscapes can help bring a little more detail where ordinarily it would be lost. I’ll have to expose the image just right, however! Sep 18
Sep 25
Two things learned from this image: depth of field can be extremely narrow, and I need to go to the Tatton Flower Show for some plant-based photography in 2011.
Again, using a little post-processing and tone-mapping can add a huge amount of drama to an image. Sep 25
Sep 30
Enhancing dark edges by teetering on the edge of HDR-halos. Who knows what this building was made out of before: it’s made from the future now!
Scoping out shoot locations is a great use of time, and you’ll come back with completely different images. Oct 2
Oct 5
Don’t fear an image which looks a little bland at first.
Equally, don’t mess with an image which had colour in it to start with. Oct 30
Nov 26
Don’t stop experimenting.

July 2, 2009
Piccadilly Gardens, Manchester (circa 1999)

Taken from the Millenium Wheel

May 30, 2009
Bungee Jump Photos